{"id":6238,"date":"2019-09-21T16:12:05","date_gmt":"2019-09-21T13:12:05","guid":{"rendered":"http:\/\/kaunosantaka.lt\/?p=6238"},"modified":"2021-06-29T15:02:45","modified_gmt":"2021-06-29T12:02:45","slug":"lietuvos-valstybinio-ir-kauno-puciamuju-instrumentu-orkestru-kurybiniai-mainai","status":"publish","type":"post","link":"https:\/\/kaunosantaka.lt\/en\/lietuvos-valstybinio-ir-kauno-puciamuju-instrumentu-orkestru-kurybiniai-mainai\/","title":{"rendered":"LIETUVOS VALSTYBINIO IR KAUNO PU\u010cIAM\u0172J\u0172 INSTRUMENT\u0172 ORKESTR\u0172 K\u016aRYBINIAI MAINAI"},"content":{"rendered":"<p>Mes \u017einiasklaidoje: <a href=\"https:\/\/www.7md.lt\/muzika\/2019-05-10\/Dvi-programos--vienas-tikslas-\">7md.lt<\/a><\/p>\n<p>Zita Bru\u017eait\u0117<\/p>\n<p>Dvi programos \u2013 vienas tikslas<\/p>\n<p>Valstybinis pu\u010diam\u0173j\u0173 instrument\u0173 orkestras \u201eTrimitas\u201c ir Kauno pu\u010diam\u0173j\u0173 instrument\u0173 orkestras \u201e\u0104\u017euolynas\u201c nuo seno draugauja ir susitinka savo \u017eanro renginiuose, ta\u010diau praeit\u0173 met\u0173 ruden\u012f buvo pasvajota ir apie naujas bendryst\u0117s formas, o netrukus sutarta inicijuoti programas pasikei\u010diant dirigentais. Main\u0173 tikslas \u2013 ne tik bendradarbiauti, bet ir pl\u0117toti profesionali\u0173 pu\u010diam\u0173j\u0173 orkestr\u0173 veikl\u0105, originalias id\u0117jas, juolab kad kitoks sve\u010dio dirigento mostas, darbas su orkestru visada naudingas ir kolektyvams, ir patiems programas rengiantiems dirigentams.<\/p>\n<p>Pirmasis main\u0173 koncertas \u012fvyko kovo 15 d. pilnoje \u201eTrimito\u201c koncert\u0173 sal\u0117je Vilniuje. Koncerto id\u0117j\u0105 ir program\u0105 trumpai pristat\u0117 \u201eTrimito\u201c vadovas Antanas Ku\u010dinskas. Min\u0117tas orkestras su kaunie\u010di\u0173 \u201e\u0104\u017euolyno\u201c dirigentu Giedriumi Vazniu pareng\u0117 ir atliko program\u0105 \u201eKaleidoskopas. Nuo Samuelio Hazo iki Johno Williamso\u201c.<\/p>\n<p>Sudarydamas program\u0105, maestro G. Vaznys \u012fvardijo vien\u0105 i\u0161 sieki\u0173 \u2013 su valstybiniu orkestru atlikti kuo daugiau originali\u0173 kompozicij\u0173 pu\u010diam\u0173j\u0173 orkestrui, kurias retai girdime koncert\u0173 sal\u0117se d\u0117l sud\u0117ting\u0173 technini\u0173 ir interpretacijos u\u017eduo\u010di\u0173, kartais sud\u0117tingiems simfonin\u0117s muzikos opusams prilygstan\u010dios trukm\u0117s. Koncert\u0105 prad\u0117jus i\u0161kilminga ir sodraus skambesio Jameso Swearingeno \u201eCelebration and Dance\u201c, toliau programoje buvo rikiuojami dar septyni k\u016briniai: Samuelio Hazo \u201eRide\u201c, Kevino Houbeno \u201eCodon\u201c, Jameso L. Hosay \u201ePersis\u201c, Erico Whitacre\u2019o \u201eLux Aurumque\u201c, Philipo Sparke\u2019o \u201eKaleidoscope\u201c, Johno Williamso (Hanso van der Heide\u2019s aran\u017euot\u0117) \u201eIndiana Jones selection\u201c, Josepho Hellmesbergerio (Tohru Takahashi aran\u017euot\u0117) \u201eDance diabolique\u201c. \u0160iame kaleidoskope ypa\u010d i\u0161skir\u010diau kelis k\u016brinius: trij\u0173 dali\u0173, pa\u010di\u0105 ilgiausi\u0105, Houbeno kompozicij\u0105 \u201eCodon\u201c ir Whitacre\u2019o \u201eLux Aurumque\u201c. Pirmasis k\u016brinys G. Vaznio pasirinktas neatsitiktinai. Su \u0161iuo belg\u0173 kompozitoriaus opusu Kauno pu\u010diam\u0173j\u0173 orkestr\u0105 \u201e\u0104\u017euolynas\u201c 2017 m. dirigentas \u201eatved\u0117\u201c iki pirmosios vietos XVII atvirajame Lietuvos pu\u010diam\u0173j\u0173 instrument\u0173 orkestr\u0173 \u010dempionate (profesionali\u0173 kolektyv\u0173 E kategorijoje). Beveik 20 minu\u010di\u0173 trukm\u0117s k\u016brinyje esama tokios \u012fvairov\u0117s, kad vien juo b\u016bt\u0173 galima charakterizuoti orkestro, \u0161iuo atveju \u201eTrimito\u201c, paj\u0117gum\u0105, strukt\u016bros pajaut\u0105 ir dinamik\u0105, atskir\u0173 instrument\u0173 darn\u0105 bei j\u0173 plasti\u0161kum\u0105 l\u0117tuose epizoduose, virtuozi\u0161k\u0173 viet\u0173 tikslum\u0105. Visa tai sant\u016briai ir labai apgalvotai i\u0161gavo maestro G. Vaznys, kas ir l\u0117m\u0117 interpretacin\u0119 bei emocin\u0119 k\u016brinio \u012ftaig\u0105.<\/p>\n<p>Klausantis Whitacre\u2019o \u201eLux Aurumque\u201c (\u201eAuksin\u0117 \u0161viesa\u201c) i\u0161kilo virtualaus choro projekcij\u0173 prisiminimai, kuriuos autorius \u012fgyvendino dar 2009-aisiais. Dainuojantys pu\u010diam\u0173j\u0173 balsai buvo tarsi trumpalaik\u0117, ta\u010diau labai laukta tylios muzikos oaz\u0117, leid\u017eianti pasim\u0117gauti \u0161velniai u\u017eliejan\u010diais s\u0105skambiais. Klausydama k\u016brinio atradau ir \u201eTrimito\u201c sal\u0117s, \u012f kuri\u0105 \u0117jau tur\u0117dama abejoni\u0173 d\u0117l akustikos, privalum\u0173. Nors pavieniai tembrai kartais i\u0161nirdavo \u012f pavir\u0161i\u0173 i\u0161 bendros visumos, da\u017eniausiai orkestr\u0173 grup\u0117s ar soliniai epizodai skamb\u0117jo homogeni\u0161kai, buvo girdimi dinaminiai ir artikuliacijos niuansai, kurie kiekviename k\u016brinyje perteikti pagal savo dvasi\u0105 ir nuotaik\u0105. Negal\u0117\u010diau teigti, kad \u0161i sal\u0117 koncertams akustiniu po\u017ei\u016briu tobula, bet klausantis konkre\u010dios programos \u201egird\u0117jimai\u201c, \u201enegird\u0117jimai\u201c ar garso netolygumai nepatogum\u0173 nek\u0117l\u0117. Galb\u016bt sal\u0117s \u0161eimininkai sumanys j\u0105 tobulinti ir \u0161ioje erdv\u0117je susiformuos nauja tradicija. Tai prapl\u0117st\u0173 taip tr\u016bkstam\u0173 koncertini\u0173 erdvi\u0173 s\u0105ra\u0161\u0105.<\/p>\n<p>Atsakomasis renginys \u2013 koncertas \u201eVelyk\u0173 muzika\u201c \u2013 \u012fvyko per Atvelyk\u012f, baland\u017eio 28 d., Kristaus Prisik\u0117limo ba\u017eny\u010dioje Kaune. Grojo Kauno pu\u010diam\u0173j\u0173 instrument\u0173 orkestras \u201e\u0104\u017euolynas\u201c. Program\u0105 sudar\u0117 ir jai dirigavo \u201eTrimito\u201c vyr. dirigentas Ugnius Vaiginis, o pavasari\u0161kus koncerto akcentus dar dekoravo soliniai inkliuzai. Anot U. Vaiginio, buvo pasirinkti \u0161vies\u016bs, pavasari\u0161k\u0105 atsinaujinim\u0105 ir tik\u0117jim\u0105 simbolizuojantys k\u016briniai, kuriems ba\u017eny\u010dios skliautai trumpam tapo saul\u0117tais namais. Neprailgusi\u0105 muzikin\u0119 kelion\u0119 informatyviai ir \u0161iltai pristat\u0117 Jurgis Kubilius \u2013 Lietuvos muzikos ir teatro akademijos Kompozicijos katedros studentas, ne pirm\u0105 kart\u0105 talkinantis \u201e\u0104\u017euolynui\u201c.<em> \"<\/em>Velyk\u0173 muzikos\u201c programa prasid\u0117jo i\u0161kilmingais ir skvarbiais Antonio Vivaldi ma\u017eaisiais trimitais<em> (tromba piccola). <\/em>Koncert\u0105 dviem trimitams atliko \u201e\u0104\u017euolyno\u201c muzikantai Vytautas Blo\u017e\u0117 ir Dainius Kanys. Duetas nuskamb\u0117jo itin \u0161venti\u0161kai. Toliau barok\u0105 keit\u0117 renesansas, v\u0117l barokas, romantizmas ir, galiausiai, muzikin\u0117 kelion\u0117 baig\u0117si kultiniu Leonardo Coheno \u201eHalleluhjah\u201c, kuri\u0105 U. Vaiginis pavadino pad\u0117ka klausytojams u\u017e j\u0173 aplodismentus.<\/p>\n<p>Koncerto pagrind\u0105 sudar\u0117 sakralaus pob\u016bd\u017eio k\u016briniai, kaip antai Franzo Bieblo \u201eAve Maria\u201c (aran\u017euota Roberto Camerono), Johno Rutterio \u201eI Will Sing With the Spirit\u201c, Roberto Spittalo \u201ePacem\u201c,<em> Andrew Lloydo Weberio <\/em>\u201ePie Jesu\u201c. Be jau min\u0117to Vivaldi, buvo atliktos dvi orkestrin\u0117s kompozicijos, kurias b\u016bt\u0173 galima pavadinti labiausiai nutolusiomis nuo sakralumo \u012fvaizd\u017eio. Tai Edwardo Griego \u201eMorgenstimmung\u201c ir Johanno Sebastiano Bacho \u201eFugue \u00e0 la Gigue\u201c. Pastar\u0105j\u012f k\u016brin\u012f da\u017eniausiai girdime kaip polifonin\u0117s imitacin\u0117s technikos pavyzd\u012f vargonams. Pu\u010diam\u0173j\u0173 instrument\u0173 orkestrui skirta versija reikalauja ne tik i\u0161skirtinio ansambli\u0161kumo, bet ir \u201epatogesnio\u201c akustinio gird\u0117jimo. Tod\u0117l \u0161i \u201e\u0161okin\u0117 fuga\u201c, nors ir pasiteisino vidutinio bei l\u0117to tempo k\u016brini\u0173 kontekste, stokojo grak\u0161tumo ir ai\u0161kumo.<\/p>\n<p>Ypa\u010d skaidriai buvo atliktos dvi vokalin\u0117s kompozicijos \u2013 \u201eI Will Sing With the Spirit\u201c ir \u201ePie Jesu\u201c, jas padainavo Kauno ansamblio \u201eAiniai\u201c solist\u0117 Justina Tomkut\u0117-Petraitien\u0117 (sopranas). Intonacijos tikslumas, lengvumas ir nat\u016braliai pl\u0117tojamos trump\u0173 motyv\u0173 linijos labai gra\u017eiai \u012fsiliejo \u012f Kristaus Prisik\u0117limo bazilikos erdv\u0119. Tiesa, balso \u012fgarsinimas \u010dia vis d\u0117lto tur\u0117t\u0173 b\u016bti minimalus, leid\u017eiantis i\u0161girsti nat\u016bral\u0173 tembr\u0105 ir neu\u017ego\u017eti skaidrios orkestro fakt\u016bros.<\/p>\n<p>Program\u0105 \u201eVelyk\u0173 muzika\u201c b\u016bt\u0173 galima pavadinti ir asociatyvia, nes daugelis jos k\u016brini\u0173 atliekami \u012fvairiausiomis sud\u0117timis, skamba skirtingose erdv\u0117se \u2013 tiek koncert\u0173 sal\u0117se, tiek ba\u017eny\u010diose. Tod\u0117l klausydamas Weberio \u201ePie Jesu\u201c i\u0161 \u201eRequiem\u201c jautiesi nevalingai persik\u0117l\u0119s \u012f Saros Brightman interpretacij\u0173 (tiesa, atlikt\u0173 pritariant simfoniniam orkestrui) prisiminimus, o per Bieblo \u201eAve Maria\u201c atsigamina brit\u0173 vokalinio ansamblio \u201eVoices 8\u201c \u012fsp\u016bdis. \u0160is, \u201eikoninis, arba vieno hito stebuklas\u201c (Matthew Olmano apib\u016bdinimas), koncerte pristatytas orkestrine versija, pateik\u0117 maloni\u0105 staigmen\u0105, nes kelis k\u016brinio fragmentus giedojo&#8230; \u201e\u0104\u017euolyno\u201c muzikantai. Klausantis \u201eAve Maria\u201c tiesiog buvo gera&#8230; Ir, \u017einoma, tok\u012f poj\u016bt\u012f l\u0117m\u0117 ne vien k\u016brinys, bet ir U. Vaiginio dialogas su orkestru. T\u0119siant netik\u0117t\u0173 s\u0105skambi\u0173 tem\u0105 nor\u0117t\u0173si i\u0161skirti Michaelo\u00a0Korbo bei Ulricho\u00a0Roeverio (Jay Dawsono aran\u017euot\u0117) \u201eHighland\u00a0Cathedral\u201c, kurios \u0161koti\u0161k\u0105 prigimt\u012f su d\u016bdmai\u0161iu pakeit\u0117 birbyn\u0117 (solo partij\u0105 atliko ansamblio \u201eAiniai\u201c muzikantas Justinas Buta). \u0160is trij\u0173 minu\u010di\u0173 k\u016brinys suk\u0117l\u0117 min\u010di\u0173 apie universal\u0173 skamb\u0117jim\u0105.<\/p>\n<p>Ne\u012ftik\u0117tinai daug spalv\u0173 suteik\u0117 dviej\u0173 pu\u010diam\u0173j\u0173 orkestr\u0173 ir su jais dirbusi\u0173 dirigent\u0173 G. Vaznio ir U. Vaiginio koncertai. Tai tik pirmoji salv\u0117 bendroms ateities projekcijoms. Pana\u0161iomis emocijomis po koncerto \u201eVelyk\u0173 muzika\u201c dalijosi ir koncertin\u0117s \u012fstaigos \u201eKauno santaka\u201c vadovas Vaidas Andriu\u0161kevi\u010dius: \u201eMain\u0173 koncertai \u012fvyko be skambi\u0173 \u017eod\u017ei\u0173, dideli\u0173 investicij\u0173 ar i\u0161ankstinio planavimo. Ir \u010dia svarbiausia, kad kartu ie\u0161kant nepramint\u0173 keli\u0173 atsiranda muzikinis alkis daryti ka\u017ek\u0105 nauja. O tai, k\u0105 kartu padar\u0117me, sujung\u0117me du miestus, du kolektyvus, apib\u016bdinu paprastais \u017eod\u017eiais \u2013 \u012fvyko ir pavyko.\u201c<\/p>\n<p>&nbsp;<\/p>\n<p>\u0160altinis: 7md.lt<\/p>","protected":false},"excerpt":{"rendered":"<p>Mes \u017einiasklaidoje: 7md.lt Zita Bru\u017eait\u0117 Dvi programos \u2013 vienas tikslas Valstybinis pu\u010diam\u0173j\u0173 instrument\u0173 orkestras \u201eTrimitas\u201c ir Kauno pu\u010diam\u0173j\u0173 instrument\u0173 orkestras \u201e\u0104\u017euolynas\u201c nuo seno draugauja ir susitinka savo \u017eanro renginiuose, ta\u010diau &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/kaunosantaka.lt\/en\/lietuvos-valstybinio-ir-kauno-puciamuju-instrumentu-orkestru-kurybiniai-mainai\/\"> <span class=\"screen-reader-text\">LIETUVOS VALSTYBINIO IR KAUNO PU\u010cIAM\u0172J\u0172 INSTRUMENT\u0172 ORKESTR\u0172 K\u016aRYBINIAI MAINAI<\/span> Read More &raquo;<\/a><\/p>","protected":false},"author":1,"featured_media":6239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.2 (Yoast SEO v17.2.1) - 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